Allan's Paperweights

www.paperweights.com

Contemporary American Paperweights for Sale


The glass paperweights on this page are by contemporary American makers.  I am using it to list paperweights were I have only a few examples for sale by the maker.  Be sure to check out my other pages for specific makers such as Charles Kaziun , St. Clair, Degenhart , and Gentile Glass.

There is no shopping cart on this website.  If you would like to purchase any of these paperweights or need more information, please send an email to: aport@paperweights.com
 
 
4290 David Salazar Monarch Butterfly with Pink Blossoms Paperweight.  dated 1994.  This paperweight features a wonderful Monarch butterfly hovering over two pink blossoms and green leaves.  The design is set on a swirling translucent white ground.  It is signed and dated on the fire finished base "D. P. Salazar 1994", although the signature is difficult to read.  A wonderful composition.

David P. Salazar was born in Del Rio, Texas.  His fascination with glass started in college, when he began making scientific glassware.  In 1972, he started working as an apprentice at Lundberg Studios, and quickly moved into the more creative aspects of designing and torchwork.  After 10 years in the studio environment, he decided to strike out on his own in order to develop new designs and techniques.  Initially he rented space from Zephyr Studios in Santa Cruz, California, staying there from 1982 to 1985.  When Zephyr went out of business, Salazar took over the building and started his own studio.

Size:   2 7/16" diameter by 2 1/4" high.  The base is fire finished. 
Signature:  Signed and dated on the fire finished base "D. P. Salazar 1994", although the signature is difficult to read.
Condition:  Excellent condition.  No cracks, chips or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Signature on base
Base
$195 postage paid in the US.                                            Added 10/26/2021

For more paperweights by contemporary American paperweight makers, see my Contemporary American Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
David Salazar Monarch Butterfly with Pink Blossoms Paperweight
3794 Colorful Magnum Rollin Karg Three Sided Paperweight.  circa 1983 to 2000.  This is an interesting three sided sculptural paperweight with inner folds.  Primarily blue, most of the surface has colored spots of pinks, reds, and browns.  One side has an area that is dichroic. It is signed "KARG" on the side near the base.  Extra large.  A fun paperweight. 

Rollin Karg spent the first part of his career as an industrial engineer, photographer, potter and woodworker before becoming a full time glass artist in 1983.  He studied hot glass at Emporia State University (Kansas) and built his first glassblowing furnace there.  Today he owns a studio and gallery in Kechi, Kansas. 

Very large size:  Three sided shape.  3 1/2" at the widest by 2 13/16" tall.  The base is ground flat. 
Condition:  Excellent condition with no scratches, chips or cracks found on inspection.
Signature:  Engraved "KARG" on the side near the base. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Top view
Profile
Signature
Base
Another view
$79 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Colorful Magnum Rollin Karg Three Sided Paperweight
5278 Very Early Francis Whittemore Miniature Paperweight with White and Blue Millefiori Flowers on a Pink Ground.  circa 1962 - 1969.  This very early paperweight by Francis Whittemore features five small white millefiori flowers with blue star centers.  There is also a stem and two green leaves.  The design is placed on a powdery pink ground.  This paperweight is signed in the design with an early Whittemore signature cane, a black "W" on a yellow background.  This is an important early example of  Francis Whittemore's work and worthy of any collection of Whittemore paperweights.

Note:  This paperweight is almost the same as the examples offered in Larry Selman's first two editions of "CATALOGUE OF COLLECTORS' PAPERWEIGHTS".  See the 1970 Catalog (robins egg blue cover) or the 1971 Catalog (olive green cover).

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 1/8" high.  This paperweight has a very low profile.  The base is flat with a concave center.
Signature:  Signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  There are many bubbles in the ground and a few striations in the glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view (out of focus)
$165 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Very Early Francis Whittemore Miniature Paperweight with White and Blue Millefiori Flowers on a Pink Ground
4318 Rare Lewis and Jennifer Wilson Crystal Myths Meadow Scene Paperweight with Coral Snake, Frog, and Yellow Flower.  dated 2005.  This paperweight has a red, yellow, and black banded coral snake moving through a green meadow with a green frog watching cautiously.  There is a mysterious three dimensional five petal yellow flower with a yellow bud and leg like and toe like appendages that is suggestive (to me) of a mystical flower headed lizard - but that is probably just my imagination.  Exactly the type of sculptures that Lewis Wilson and his daughter Jennifer often create at Crystal Myths.  The ground has the appearance of a meadow floor with some rocks and pebbles.  It is signed on the side near the base "L J W 05".  A fantastic collaborative paperweight from these skilled artists.  

Lewis Calvin Wilson is a self-taught artist who started working with glass in 1972.  In October 1973, he worked briefly with Miguel Bonilla at Walt Disney World in Orlando.  Crystal Myths, Inc. was established in Albuquerque, New Mexico in 1974.  Lewis is best known for his fantastic glass sculptures, which he continues to make.  His repertoire now includes beads, marbles, and some paperweights.  He now works with his daughter Jennifer Wilson on the miniature encasements like this paperweight.  Together they also teach lampworking and have produced a number of books and videos on lampworking. 

Large Size:  2 5/16" diameter by 1 15/16" high.  The bottom is polished flat.  
Signature:  Signed near the base "L J W 05".
Condition:  Very good to excellent condition.  No chips, cracks, or scratches found on inspection.  There is one rough area about 5/16" across near the base that was left unpolished or touched something before it cooled down. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature
Profile
Side view
Another large picture
And another
Rough area on side near base
Base
$375 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare Lewis and Jennifer Wilson Crystal Myths Meadow Scene Paperweight with Coral Snake, Frog, and Yellow Flower
4746 Chris Sherwin Art Glass Black-Capped Chickadee Paperweight.  dated 2017.  This black-capped chickadee paperweight is a wonderful example of Chris Sherwin's recent work.  The figural paperweight was created for a meeting of the Founders Chapter of the National American Glass Club.  It is signed on the base "Sherwin Art Glass 2017".

The black-capped chickadee is the state bird of Massachusetts and of Maine in the United States, and the provincial bird of New Brunswick in Canada.

Chris Sherwin has worked in glass for 25 years, specializing in designs inspired by nature.  Almost all of his work involves some aspect of torchwork decoration applied to the surface or encased torchwork creations.  He makes his own glass and canes in his environmentally conscious hydro-powered studio.  Chris studied glassblowing at Southern Connecticut State University and apprenticed at Simon Pearce.  He also spent seven years at Orient & Flume Art Glass, an internationally renowned glass studio in Chico, CA known for their iridescent vases, intricate paperweights, and torchwork designs.  At O&F he was able to create designs of his own and collaborative pieces that earned him a separate section in the O&F retail showroom. He opened his own studio in Bellows Falls, VT in 2005 and makes a variety of paperweights, vessels, animal sculptures, seasonal themed and other objects. 

Size:  3 7/8" long by 1 7/8" wide by just under 3 1/16" high.  The base is ground flat.
Signature: Signed on the base "Sherwin Art Glass 2017". 
Condition:  Excellent condition.  No cracks, chips or scratches. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Other side
Base with signature
Another view
Front
$85 postage paid in the US. 

Click on the picture to see a larger image.

Click on the picture to see a larger image
Chris Sherwin Art Glass Black-Capped Chickadee Paperweight
2907 Charles Kaziun Jr. Crimp Rose Upright Pedestal Paperweight - Dark Pink.  circa 1960-1980.  This upright pedestal paperweight features a magnificent crimp rose with fifteen variegated dark pink petals, a center pistil, and four upturned dark green leaves.  The petals are arranged in Kaziun's 4+4+4+3 crimp pattern.  It is signed on the underside of the rose with Kaziun's complex signature cane having a K in the center surrounded by six heart canes.  The design is set on a clear ground and supported by a large pedestal base.  A fantastic addition to any collection of glass paperweights.

After being introduced to the Millville glass artist Emil Larson, Charles Kaziun set a goal to create and perfect his own version of Larson's famous Millville Rose.  This was considered the ultimate icon of glass perfection.  It took Charles almost four years and many thousands of dollars worth of experimentation to succeed.  Many collectors consider the pedestal rose the pinnacle of Kaziun's artistry.

Charles Kaziun Jr. was one of the most famous of the American paperweight artists.  He is often credited with contributing to the rebirth of interest in paperweight making.  He made paperweights from the 1940s until his death in 1992.  His weights are usually signed with a gold K or a special millefiori cane containing a K.  You can read about him in many books, including:

Size:  Just under 2 3/16" diameter by 2 11/16" high.  The pedestal base has a diameter of just over 1 7/16".  The base is ground flat with a concavity in the center.
Signature:  Signed on the underside of the rose with Kaziun's complex signature cane having a K in the center surrounded by six heart canes. 
Condition:  Excellent condition with no chips. cracks, or scratches. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Top view
Another view
Signature cane
Base
Side view
$850 postage paid in the US.  

Click on the picture to see a larger image.

Click on the picture to see a larger image
Charles Kaziun Jr. Crimp Rose Upright Pedestal Paperweight - Dark Pink
2620 Fantastic Miniature Cape Cod Glass Works Bill Burchfield Crown Paperweight.   circa 1997.  This is an amazing tiny crown paperweight with one of Bill Burchfield's large rose canes on the top.  The design has twenty one twist canes.  It appears that Burchfield chose to alternate each white twist cane with two blue and red twist canes, with a total of seven white twist canes and fourteen blue and red twist canes.  The paperweight is crowned with a rose cane that was used only in 1997.  A rare miniature from this talented artist.

The rose cane used to top this paperweight is designated as Bill Burchfield-25 in Andrew Dohan's DICTIONARY OF PAPERWEIGHT SIGNATURE CANES (CD Version 2007).

Crown weights are considered by some to be the most exciting of all millefiori designs.  They are extremely difficult to make.  

The Cape Cod Glass Works was operated by William Clark Burchfield in Sagamore, Massachusetts from 1976 to 2000.  It then continued briefly in Crossville, Tennessee until 2001.  Bill Burchfield died in 2012.  Bill's son Mark was also at the glass works until 1998.  Bill started making paperweights at Pairpoint Glass in 1970.

Size:  Just under 1 13/16” diameter by 1 1/4” high.  The base is ground concave.   
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection. 
Signature:  This paperweight is signed on top with the rose signature cane used in 1997.    

For extra pictures, click on the picture at the right and the following links: 

Large picture
Rose cane on top
Profile view
Base
Side view
$185 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Fantastic Miniature Cape Cod Glass Works Bill Burchfield Crown Paperweight
3906 Early Steven Correia Mirror Surface Psychedelic Waves Paperweight.   dated 1975.  This highly reflective paperweight has a surface decorated psychedelic design resembling stylized waves.  The surface is like a mirror and it has a small circle on top that will reflect your own image back to you.  I call the design psychedelic because it reminds me of the posters of the 1960s and 1970s.  The design with shades of blue and gold is set on an off-white ground.  There is an interesting ladder like pattern that alternates between shades of blue and a contrasting color.  It is signed on the base  "Roland R. Correia 9716.12.75" and there is also a worn Correia paper label.  An amazing paperweight.

Note:  This was another challenging paperweight to photograph.  The mirror-like surfaces showed every speck of dust and every fingerprint.  It was hard to get the lighting to work with it. 

Steven Valentine Correia received his bachelor of arts degree from the University of Hawaii in 1972.  He earned a masters in art degree from UCLA and then a second masters degree in fine art from the University of Hawaii.  He was drawn to sculpture and design.  Steven founded Correia Art Glass in 1973, along with a business partner Roger Roland.  It was one of the first privately owned art glass studios to spearhead the Art Glass Movement in the early 1970’s, creating a new American market for contemporary decorative arts.  The company continued to operate under the artistic guidance of Steven Correia until 1987.  The studio is located in Santa Monica, California and is currently operated by Steven Correia's sister and brother Algerine Correia and Jeffrey Correia.

In 1987 Steven Correia left Correia Art Glass and founded Correia Crystal in Bethlehem, Pennsylvania where he focuses his attention on creating sculptural objects.  He also has an interest in large-scale environmental kinetic light sculpture as well as his audio and visual performance art.  Roger Roland withdrew from the partnership in 1975 and established his own independent Roland Art Glass studio in Ketchum, Idaho. 

Additional note on signatures:  The history of Correia is confusing because this and other early paperweights and other art glass were signed "Roland R. Correia".  There are some sites on the internet that incorrectly give Roger Roland credit for the early paperweights.  There is a paperweight in the MMA collection incorrectly identified as being by Roger Roland Correia.  There was no such person.  It was a signature used by the partnership.  It is also possible to find paperweights signed "Roland" probably made later by Roger Roland.  These are distinctly different from the style of Correia Art Glass paperweights.

Large size:  3 1/16" diameter by 2 7/8" high.  The base is ground flat. 
Signature:    Signed on the base "Roland R. Correia 9716.12.75" and there is also a worn Correia paper label.
Condition:  Excellent condition.  No cracks or chips.  Other than some scratches on the base, no other scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Top view
Signature on base
Base
Another side view
Another view
And another view
$145 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early Steven Correia Mirror Surface Psychedelic Waves Paperweight
2261 Magnum Pairpoint White Crimp Rose Paperweight - unfinished.  circa 1970-2000.  This is a very large white crimp rose paperweight made at Pairpoint Glass in Sagamore, Massachusetts.  It has 15 petals with a 4+4+3+3+1 pattern.  The innermost petal is tiny.  There are also eight variegated green leaves, four large and four skinny.  Two of the large leaves and one skinny leaf did not separate well and this paperweight was left unfinished with a wider (oval) rather than normal profile.  The pontil is also unfinished.  It is possible that this rose paperweight was made by Robbie Mason or one of the other glass artists who apprenticed with him.  A interesting example of a modern Pairpoint rose paperweight offered at a bargain price.

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The old New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1969.  Attempts were made to resume glassmaking in New Bedford for five years (1977-1982), but this was not successful.  Bryden retired in September 1988.  Since then, the Pairpoint Glass Company has changed owners several times. It continues to operate at that location today. 

Robert (Robbie) C. Mason (1935-2020) started his glass career in 1950 as an apprentice with Edinburgh Crystal, Scotland (part of the Thomas Webb and Sons).  With exception of three years in the Army (1960-1963), he continued to gain seniority and expertise as a glass maker.  In 1968, Thomas Bryden advertised in the Edinburgh Evening News for experienced glass workers emphasizing the need for hand made experience.  Robbie Mason decided to take a chance on a new employer and joined Pairpoint in 1969.  With his experience, he became a gaffer by 1971.  He stayed at Pairpoint as a master glassblower until he retired in 2005.  A number of well known glass artists apprenticed with him.  He retired in 2005 and passed away from complications of COVID-19 in April 2020.

Very large size:  3 5/8” diameter by 2 7/8” high.  The shape is oval rather than spherical and the pontil is unfinished.  
Condition:  Excellent condition with no damage found.  However this paperweight has execution flaws described above and some bubbles in the glass.
Signature:  Unsigned but I guarantee that this paperweight was made at Pairpoint Glass, possibly by Robbie Mason or one of his apprentices.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Base
$245 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Pairpoint White Crimp Rose Paperweight - unfinished
5060 Large Parabelle Glass 1990 Limited Edition Looped Millefiori Garland on Opaque Blue Ground Paperweight.  Dated 1990 This paperweight has a hexafoil six-looped garland of alternating pink pastry mold canes and white edelweiss canes.  There is a pastry type green cane in the center of each loop and another larger cane in the center of the design.  All of the canes are pressed into an opaque blue ground in the style of Clichy color ground paperweights.  The paperweight is signed with a "PB 1990" cane in the design and also has a worn silver label with two bells, "PARABELLE GLASS Rings True HANDMADE IN USA" on the base.  This paperweight was issued in a limited edition of 75 paperweights, but there are no edition markings on the paperweight.  A wonderful paperweight with great color.

Note:  Please ignore the white areas in the pictures caused by the light.

Parabelle Glass was a small company created in 1981 by Gary and Doris Scrutton in Portland, Oregon.  High quality paperweights were made in small quantities from 1983 to 1998 when they retired.  Their best weights are some of the finest ever made, comparing favorably to the best classical French paperweights.  Most designs were produced in limited editions of 10 to 25 paperweights, although some editions were larger.  They also made some one of a kind paperweights.  Doris passed away in 2013 and Gary followed in 2014. 

After the Scruttons retired in 1998, their daughter Julie Scrutton Lewis made some paperweights and jewelry using Parabelle millefiori canes. 

Large Size:  Just under 2 7/8" diameter by 1 7/8" high.  The base is ground concave.  
Signature: Signed in the design with a signature cane "PB 1990".  This paperweight also has a worn silver label on the base that has a drawing of two bells and the text "PARABELLE GLASS Rings True HANDMADE IN USA"  
Condition:  Excellent condition with minor wear on the base but no other cracks, chips, or scratches found on inspection. 

For extra pictures, click on the picture at the right and the following links: 

Large picture of the paperweight 
Close-up view 
Profile view 
Silver label on base 
Signature cane in design
Base
$650 postage paid in the US.    

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Parabelle Glass 1990 Limited Edition Looped Millefiori Garland on Opaque Blue Ground Paperweight
3132 David Salazar Heart Shaped Paperweight with Surface Decorated Butterfly and Flowers.  dated 2006.  This paperweight features a heart shaped design with a white translucent frit ground.  On the surface, David Salazar has added a blue butterfly and two purple flowers plus leaves and stems.  These stand above the surface in raised relief.  Very precise and colorful.  The design is set on a swirling translucent white ground.  It is signed and dated on the fire finished base "D. P. S. G. (for David P. Salazar Glass) with the initials SB (which I can't explain) and the date 12/06.  The signature is very difficult to read, so I colored it with a child's washable marker (now removed) so I could take the pictures.  A wonderful composition.

David P. Salazar was born in Del Rio, Texas.  His fascination with glass started in college, when he began making scientific glassware.  In 1972, he started working as an apprentice at Lundberg Studios, and quickly moved into the more creative aspects of designing and torchwork.  After 10 years in the studio environment, he decided to strike out on his own in order to develop new designs and techniques.  Initially he rented space from Zephyr Studios in Santa Cruz, California, staying there from 1982 to 1985.  When Zephyr went out of business, Salazar took over the building and started his own studio.

Size:  2 7/16" high by just under 2 3/8" wide by just over 1 5/16" thick.  The base is fire finished.
Signature: Signed on the base "D. P. S. G." (for David P. Salazar Glass) with the initials "SB" (which I can't explain) and the date "12/06". 
Condition:  Excellent Condition.  No chips or cracks or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Signature on base with color added (and since removed)
Signature on base - no color added
Base
$145 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
David Salazar Heart Shaped Paperweight with Surface Decorated Butterfly and Flowers
4699 Charles Kaziun Jr. Miniature Blue and White Convolvus (Morning Glory) with Bud and Bee on Dark Red Ground.  circa 1960-1980.  This is a graceful three-dimensional blue and white Convolvus (or Morning Glory) flower with a bud, four leaves, and stem.  There is a miniature gold foil bee on one of the leaves.  The ground is a very dark red (almost black).  The red layer is slightly transparent but it is backed with an opaque white layer which makes the ground overall opaque.  The paperweight is signed on the white underside of the ground with a gold foil K.  This is a very attractive addition to any collection of Kaziun paperweights. 

This design was one of Charles Kaziun's signature designs.  There are variations with and without the gold bee.  

Note:  The mirror like dark ground made this paperweight very difficult to photograph.  Please ignore the reflections from the lights and from my camera and lens.   

Charles Kaziun Jr. was one of the most famous of the American paperweight artists.  He is often credited with contributing to the rebirth of interest in paperweight making.  He made paperweights from the 1940s until his death in 1992.  His weights are usually signed with a gold K or a special millefiori cane containing a K.  You can read about him in many books, including:

Small Size:  2 1/8" diameter by 1 5/8" high.  The base is ground concave.
Signature:  Signed on the white underside of the dark red ground with Kaziun's gold K. 
Condition:  Excellent condition with no chips or cracks or scratches. 

For extra pictures, click on the picture at the right and the following links:

Large picture
Closeup
Gold foil K signature on underside of ground
Base
$750 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Charles Kaziun Jr. Miniature Blue and White Convolvus (Morning Glory) with Bud and Bee on Dark Red Ground
2812 Pairpoint Multicolored and White Twists Crown Paperweight.  circa 1972-1975.  This is a crown paperweight with alternating multicolored twist canes and white twist canes topped on top with a yellow and white complex millefiori crown.  There are nine colored twist canes and nine white twist canes.  The millefiori crown has a star in the center.  This paperweight is unsigned, but I have had signed Pairpoint crown paperweights that were nearly identical.  A great example of modern Pairpoint production.

Note about Bill Burchfield:  Because Bill Burchfield worked at Pairpoint from 1970 to 1976, it is possible that he contributed to the making of this paperweight although he did not sign it.  It is certainly similar to crown paperweights that he produced on his own at the Cape Cod Glass Works.

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The last New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1970.  It continues to operate at that location today (2019) although under new owners.

The Cape Cod Glass Works was operated by William Clark Burchfield in Sagamore, Massachusetts from 1976 to 2000.  It then continued briefly in Crossville, Tennessee until 2001.  Bill Burchfield died in 2012.  Bill's son Mark was also at the glass works until 1998.  Bill started making paperweights at Pairpoint Glass in 1970.

Size:  Just under 2 3/16" diameter by 1 13/16" high.  The bottom is ground concave.
Condition:  Excellent condition with no cracks, chips, or scratches found on inspection.    
Signature:  Unsigned but I guarantee that this was made at Pairpoint Glass in Sagamore, Massachusetts in the early 1970s.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Side view
Closeup view
Base
$115 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Pairpoint Multicolored and White Twists Crown Paperweight
5276 Very Early Francis Whittemore Miniature White Millefiori Flower with Leaf and Blue Bud on a Pink Ground Paperweight.  circa 1962 - 1969.  This very early paperweight by Francis Whittemore features a five petal white flower constructed from millefiori canes, a blue twist bud, and one green leaf and stem.  It is signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is placed on a powdery pink ground which penetrates the clear encasement at the edges.  This is an important early example of  Francis Whittemore's work and worthy of any collection of Whittemore paperweights.

Note:  This paperweight is almost the same as the examples offered in Larry Selman's first two editions of "CATALOGUE OF COLLECTORS' PAPERWEIGHTS".  See the 1970 Catalog (robins egg blue cover) or the 1971 Catalog (olive green cover).

Note on execution:  The pictures of the edge of the base show that Whittemore had not yet mastered the encasement of the pink ground.  He must have used a frit powder for the pink ground and you can see a splatter of the powder into the clear encasement.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 1/16" high.  This paperweight has a very low profile.  The bottom is ground concave.
Signature:  Signed in the design with an early Whittemore signature cane.  The cane has a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.  There is a flaw in the encasement process where the pink powder lifted into the clear encasement (see pictures).  This is not damage - rather it shows how every artist encounters challenges when learning a new medium.    

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view
View of edge showing frit splatter
$165 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Very Early Francis Whittemore Miniature White Millefiori Flower with Leaf and Blue Bud on a Pink Ground Paperweight
4020 Supermagnum 2007 Translucent Pink Seaform Paperweight with Sea Anemone Murrini - Probably by Robert Eickholt.  dated 2007.  This huge upright semi-transparent pink paperweight has six round sea anemone-like roundels or murrini set shallowly into the surface.  There are tentacles or vines completing the structure.  The shape is non-traditional and is high and wide, but not as deep.  I believe this probably is a late career experimental work by Robert Eickholt.  It has a minimalist signature on the base that looks like an abbreviated "E 2007".  An awesome paperweight.

Note:  I consulted with several other collectors on the maker of this paperweight.  Most felt this had several features that pointed to Robert Eickholt.  Those who did not believe it to be Eickholt had no alternate maker to suggest.  If you have a different maker in mind, please let me know.  

Robert Eickholt has been making glass paperweights since 1978 when he founded Eickholt Glass in Columbus, Ohio.  His designs often make use of precious metals such as gold and silver, and rare oxides such as cobalt and copper.  In later paperweights by Eickholt the design moved to the interior and veiling techniques began to appear.  He retired in 2013. 

Very Large Size:  8 1/2" high by 4 5/8" wide by 2 7/8" deep.  It weighs 55 ounces.  The base has been polished flat. 
Signature:  Signed "E 2007" on the base.  I believe this was probably made by Robert Eickholt. 
Condition:  Excellent condition.  No damage found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Signature on base
Base
Back
Another side view
Another view
$295 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Supermagnum 2007 Translucent Pink Seaform Paperweight with Sea Anemone Murrini - Probably by Robert Eickholt
4904 Daniel Salazar Lundberg Studios 1992 Rose Vine Paperweight Perfume Bottle.  dated 1992.  This elegant paperweight perfume bottle features six deep red roses with dark green leaves on vines at the top of a gracefully shaped bottle.  The vines wrap around the lip of the bottle.  There is a ball stopper extending into the bottle.  Signed and dated on the edge near the base "Daniel Salazar 0714100 Lundberg Studios 1992".  A great three dimensional design that is hard to find.

Note:  Please ignore the white areas in the pictures caused by the light.

Daniel Salazar is one of the lead gaffers at Lundberg Studios in Davenport, California and is their primary paperweight designer and maker.  He joined Lundberg in 1975.   The studio was founded by James Lundberg in the early 1970s.  Steven Lundberg joined shortly later.  The first paperweights were made in 1972.  In 1973 the firm was renamed Lundberg Studios and moved to Davenport, California.  James died in an accident in 1991.  Steven left Lundberg Studios in 1997 and set up his own studio.  He died from ALS in 2008.   Each paperweight produced at Lundberg Studios is signed and dated by the studio and signed by the artist. 

Large Size:    3" diameter by 5 5/8" tall with the stopper.  It is 4 3/16" tall without the stopper.  The bottom is ground concave with a remnant of pontil mark in the center. 
Signature: Signed on the side near the base "Daniel Salazar 0714100 Lundberg Studios 1992".
Condition:  Excellent condition.  I found one faint 1/8" scratch on the side of the ball part of the stopper.  There is also a tiny bit (1/16" or less) of white glass or debris in the ball (not damage). No other flaws found on inspection.   

For extra pictures, click on the picture at the right and the following links: 

Large picture of perfume bottle
Closeup view
Another View
Signature
Another view
And one more view
$395 postage paid in the US.     

Click on the picture to see a larger image.

Click on the picture to see a larger image
Daniel Salazar Lundberg Studios 1992 Rose Vine Paperweight Perfume Bottle
3411 Large Orient & Flume Ed Seaira Canada Goose Limited Edition Paperweight.  dated 1986.  This is a wonderful large hand crafted three-dimensional paperweight with  Canada Goose swimming on a torchworked painterly blue waterway and moving among green plant life.  The design is set on a speckled blue frit ground.  It is an interesting construction.  Signed on the base "Orient & Flume SFN11 98/250 jn 1986 E. Seaira".  It also comes with its original worn registration certificate.  A wonderful paperweight.

Orient & Flume was started in 1972 in Chico, California by Douglas Boyd and David Hopper.  The studio took its name from its initial location which was at the corner of Orient & Flume.  Their early weights adopted a style that has become known as the California style of  iridescent paperweights with surface torchworked art nouveau motifs on the outside surface of the weight.  Later work involved interior lampworked designs such as the Canada Goose shown here.  Every Orient & Flume piece has a registration number.  

Ed Seaira (aka Ed Alexander) worked as a glass blower at Orient & Flume for 20 years.  He died in 2010. 

Large Size:  3 1/16" diameter by 2 11/16" high.  The bottom has been ground flat. 
Signature:    Signed on the base "Orient & Flume SFN11 98/250 jn 1986 E. Seaira".  It also comes with its original worn registration certificate. 
Condition:  Excellent condition.  Some scratches on the base.  No other chips or cracks or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature on base
Certificate
Profile
Side view
Base
$295 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Orient & Flume Ed Seaira Canada Goose Limited Edition Paperweight
4280 Early Miniature Orient & Flume 1977 Glossy Blue Forget Me Nots and Vines Paperweight.  dated 1977.  This is a wonderful example of an early Orient & Flume surface decorated design with four blue forget-me-not flowers and brown and green vines.  The lower part of the design is filled with a Tiffany style pulled feather pattern.  The vines wrap around to the bottom of this paperweight.  The ground is an opalescent white over a clear core.  This paperweight is signed in script on the white edge of the base "O&F 1977".

Orient & Flume was started in 1972 in Chico, California by Douglas Boyd and David Hopper.  It studio took its name from its initial location which was at the corner of Orient & Flume.  Their early weights adopted a style that has become known as the California style of  iridescent paperweights with surface torchworked art nouveau motifs on the outside surface of the weight.  Later work involved interior lampworked designs. 

Size:  2 1/16" diameter by just over 1 11/16" high.  The bottom has been ground flat. 
Signature: It is signed in script on the white edge of the base "O & F 1977". 
Condition:  Very good condition.  There is some wear (scratches) on the base and a bit of roughness at the edge of the base.  No other chips or cracks or scratches found on inspection. There are small bubbles in the glass.

For extra pictures, click on the picture at the right and the following links:

Large picture
Signature
Side view
Top view
Base
Another side view
$85 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early Miniature Orient & Flume 1977 Glossy Blue Forget Me Nots and Vines Paperweight
4012 Stunning Magnum Jungle Fusion Studio (Hawaii) Molten Lava Paperweight.  This extra large paperweight depicts a hot molten flow of lava emerging from the copper colored mouth of an erupting volcano.  At least, that is my interpretation.  It has rich iridescent colors and an exciting appearance.  The paperweight is signed on the backside with a pontil stamp that says in part "JUNGLE FUSION STUDIO" with the image of a group of mountains surrounded by a ring of fire.  The text at the bottom is hard to read, but I believe it says "HANA-MAUI".  The paperweight is tall and wide, but not very deep.   It is a fun paperweight with great color. 

I was unable to find out anything about the Jungle Fusion Studio, but believe it was located in or near the small town of Hana on the Hawaiian island of Maui.  The island of Maui was formed by the eruptions of two volcanoes, Haleakalā (East Maui Volcano) and Mauna Kahalawai (West Maui Mountains).

Very large Size:  5 5/16” high by 3 11/16" wide by 1 5/8” deep.   The bottom ground flat.
Signature: Signed on the backside with a pontil stamp that says in part "JUNGLE FUSION STUDIO" with the image of a group of mountains surrounded by a ring of fire.  The text at the bottom is hard to read, but I believe it says "HANA-MAUI". 
Condition:  Excellent Condition.  No chips or cracks.  No scratches found other than light wear on the base and a scuffed area above the maker's mark.   

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Back with pontil mark
Signature
Base
$195 postage paid in the US.  

Click on the picture to see a larger image.

Click on the picture to see a larger image
Stunning Magnum Jungle Fusion Studio (Hawaii) Molten Lava Paperweight
 
3413 Brian Maytum Magnum Faceted Iridescent Feather Pulled Tiffany Style Paperweight.  circa  1980s.  Shimmering iridescent tiffany style design by Brian Maytum with an asymmetric faceting pattern.  The feather pulled floral design defies description.  The colors are shades of blue, gold, copper, and white over a very dark or black ground.  The facets vary in size and placement to complement the design.  It is signed on the base "Brian Maytum" with a number "CSFPW-065" and a date that I believe is 1981.  The number and date are difficult to read.  A magnificent paperweight.  Among the best of Brian Maytum's early work. 

Brian Maytum had a studio in Boulder Colorado and made glass there since the early 1980s.  As of 2021, he had retired a few years ago.

Very large size:   3 3/4" diameter by 3 1/2" high.  The base is ground flat.  This paperweight is finished with an asymmetric faceting pattern where the facets vary in size and placement to complement the design.  It weighs 38 ounces and will be over three pounds when boxed. 
Signature:  Signed and dated on the base "Brian Maytum" with a number "CSFPW-065" and a date that I believe is 1981.
Condition:  Excellent condition.  There are some scratches on the base, but no other cracks, chips or scratches found on inspection. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Top view
Signature and date and code on base
Another view
Base
$165 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Brian Maytum Magnum Faceted Iridescent Feather Pulled Tiffany Style Paperweight
5383 Rare Harold J. Hacker Snake Paperweight.   circa 1966 - 1980.  This wonderful Harold Hacker lampwork snake paperweight.  The long brown snake with two white eyes and a long slender tongue has a yellow stripe down its back.  It blends perfectly with the copper colored frit ground.  It is engraved "HJH" on the base.  A very similar example is shown on page 172 of Melvin's book American Glass Paperweights and their Makers (Revised 1970).  A desirable example of Hacker's work.

Harold James Hacker (1906 - 1989) was born in Weston, West Virginia and, at the age of thirteen, took a job at the Weston Glass Plant.  Later he worked at the West Virginia Specialty Glass Company and learned some of the rudiments of blowing glass.  In 1936 he moved to California and worked at the Technical Glass Company in Los Angeles.  After service in the armed services during world war II, he obtained a concession at the Knott's Berry Farm making miniature glass objects, built on a hobby of lampworking that started back in West Virginia.  In 1966 Hacker and a friend from West Virginia, A. F. Carpenter, started experimenting with glass paperweights at a small studio near Hacker's home in Buena Park, CA.  In the beginning they made more traditional lampwork floral arrangements and millefiori paperweights, but then focused on lampwork snakes, reptiles, turtles, and other animals.  Their output was low and, even with two helpers, never exceeded 200 paperweights a year.  All were signed with variations of Hacker's signature, "Hacker", "Harold Hacker", "Harold J Hacker", or just the initials "HJH".  It is not possible to specifically identify which lampwork animals were made by A. F. Carpenter, but it is believed that Carpenter was the better lampwork artist and Hacker did some of the simpler designs.  Hacker also did the encasement.  Their work was considered good enough to earn an entry in  Dunlop's Dictionary of Glass Paperweights.  Both men are included in Jean Melvin's book American Glass Paperweights and their Makers (revised edition 1970) and Hacker has a page in Larry Selman's All About Paperweights.  Harold Hacker wrote an article "The Art of Paperweights" for the 1968 Annual Bulletin of the Paperweight Collectors' Association. 

Size:  2 3/4" diameter by 1 1/16" high.  The base is ground flat.  Note the low profile.
Condition:  Very good condition.  There are some scuff marks on the widest part of the paperweight.  No other chips, cracks, or scratches found on inspection.
Signature:  Engraved "HJH" on the base. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature on base
View of back
Side view
Another view
Profile
$165 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare Harold J. Hacker Snake Paperweight
4382 Robert Banford Blue Double Clematis with Buds Double Overlay Faceted Paperweight with Fancy Base Cutting.  circa  1987.  This paperweight features a wonderful dark blue double clematis with a yellow center and two companion buds, one open and the other still closed.  It is has many green leaves and a stem.  The design is set on a clear ground and encased with a brilliant red and white double overlay.  It is faceted with a large top facet and six side facets.  In addition there is a fancy cutting on the lower portion below the facets.  The paperweight is signed with Bob Banfords “B” signature cane at the tip of the stem.  I believe this is part of Bob Banford's 1987 Collection and the cutting is by Ed Poore.  A very desirable addition to any collection of contemporary American paperweights. 

Note on condition:  There is a 1/8" nick or tool mark just above the fancy cutting.  It is barely visible, but I mention this for completeness and provide a much magnified picture.  No other flaws found on inspection.

Robert Banford worked in Hammonton, NJ.  He started making paperweights in 1971 along with his father, Ray Banford.  Bob continued to make paperweights until 2006.  Bob and Ray did not date their paperweights, but it is sometimes possible to get an idea of when a paperweight was made by the progression of styles and the type of glass used.  Bob Banford used a signature cane with a red "B" and a blue surround.  Ray Banford used a different signature cane with a black B.  Ray passed away in 2003.

Size:  2 15/16" diameter by just over 2 1/8" high.  The bottom is ground slightly concave.  It is faceted with a large top facet and six side facets.  In addition there is a fancy cutting on the lower portion below the facets.  
Signature:  Signed with Robert Banford's signature "B" cane at the tip of the stem.  I believe this is part of Bob Banford's 1987 Collection and the cutting is by Ed Poore.
Condition:  Very good condition.  There is a 1/8" nick or tool mark just above the fancy cutting.  It is barely visible, but I mention this for completeness and provide a much magnified picture.  No other flaws found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature cane
View from the base showing fancy cutting
Tool mark or nick (1/8")
Side view
Base
$950 postage paid in the US.           US Sales only, no international shipping.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Robert Banford Blue Double Clematis with Buds Double Overlay Faceted Paperweight with Fancy Base Cutting
 
7 Small Robert Eickholt 1985 Blue Abstract Paperweight.   dated 1985.  This paperweight has an abstract design with deeply carved peaks and valleys.  The colors progress in layers from light blue to dark blue.  It is signed "Eickholt 1985" on the base.  A nice example of Eickholt's early work.  I believe this style was a predecessor to the Reptile Series that cane a few later, so named because the imagery of the later series resembled a reptilian skin.

Note:  Please ignore the white areas, they are glare from the light. 

Robert Eickholt has been making glass paperweights since 1978 when he founded Eickholt Glass in Columbus, Ohio.  His designs often make use of precious metals such as gold and silver, and rare oxides such as cobalt and copper.  In later paperweights by Eickholt the design moved to the interior and veiling techniques began to appear.  He retired in 2013. 

Small Size:  2 1/8" diameter by 2 1/8" high.  The base has been ground flat. 
Signature: Signed "Eickholt 1985" on the base. 
Condition:  Excellent condition.  No damage found on inspection.  Minor wear on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Signature on base
Another view
$60 postage paid in the US. 

Click on the picture to see a larger image.

Click on the picture to see a larger image
Small Robert Eickholt 1985 Blue Abstract Paperweight
4632 Charles Kaziun Jr. Vogue Lady Gold Foil and Millefiori Micro Miniature Faceted Paperweight. circa 1950-1980.   This paperweight features a gold foil silhouette referred to as the "Vogue Lady" surrounded by a garland of six white millefiori canes with green star centers.  The Vogue Lady is more than a silhouette, it is embossed to show details such as the hair, lips, nose, and neck.  The arrangement is placed over a translucent amethyst ground.  It is a true micro miniature paperweight, almost button size, faceted with six side facets and a larger top facet.  It is signed with a gold foil K on the base.  This is an especially nice example with amazing detail. 

This paperweight appears in photograph SI-30 on page 136 of the book Magic in the Glass - The Paperweight Artistry of Charles Kaziun, Jr. by Bernard A. Drabeck.  Drabeck states that the gold foil is 24 karat gold. 

Charles Kaziun Jr. was one of the most famous of the American paperweight artists.  He is often credited with contributing to the rebirth of interest in paperweight making.  He made paperweights from the 1940s until his death in 1992.  His weights are usually signed with a gold K or a special millefiori cane containing a K.  You can read about him in many books, including:

Micro Miniature Size:  1 3/8" diameter by 3/4" high.  It is faceted with six side facets and a larger top facet.  The base is ground concave. 
Signature:  This paperweight is signed with Kaziun's gold K on the bottom.
Condition: Excellent condition with no chips or cracks. 
Execution:  There is at least one tiny bubble in the glass, visible in the pictures at 9 o'clock.. 

For extra pictures, click on the picture at the right and the following links:

Large picture of the paperweight
Profile View
Signature on Bottom
Another view
$395 postage paid in the US.

For more paperweights by Charles Kaziun, see my Kaziun Paperweights Web Page.

Click on the picture to see a larger image.

Click on the picture to see a larger image
3529 Early Kenyon Brown 1990 Multi-Color Swirl Paperweight.  dated 1990.  This paperweight features a blue, white, green, and brown swirl design with the swirl winding from the base up to a tight point on top.  The ground is clear.  It is signed with an engraved "Ken Brown '90" on the fire finished base.  One of Ken Brown's earliest paperweights.  A rare item.   

Kenyon Brown was originally an auctioneer in Buckingham, PA.  After his retirement he developed an interest in glass and volunteered at Wheaton Village (now WheatonArts) in Millville, NJ.  He experimented for more than a decade making paperweights.  While he did some of the setups at his home in Lahaska, PA, he would do the encasement in the hot shop at Wheaton Village.  Ken passed away in 2017 at the age of 94. 

Large Size:  2 13/16” diameter by 2 1/4" high.  The base is fire finished.
Signature:  Engraved "Ken Brown '90" on the base.
Condition:  Excellent condition with no chips, cracks or scratches.  There are some bubbles in the glass.  

For extra pictures, click on the picture at the right and the following links: 

Large picture of the paperweight
Signature on base
Top view
Side view
$65 postage paid in the US.  

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early Kenyon Brown 1990 Multi-Color Swirl Paperweight
4406 Francis Whittemore Blue Crimp Rose Upright Pedestal Paperweight.  circa 1970.  This upright pedestal paperweight features a magnificent blue crimp rose with fifteen variegated blue petals and four upturned green sepals.  The petals are arranged in Whittemore's 4+4+4+3 crimp pattern.  It is signed on the underside of the rose with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is set on a clear ground and supported by a pedestal base.  A fantastic addition to any collection of glass paperweights.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, originally as a scientific glass maker and instructor in South Jersey.  He did not start making paperweights until 1962 when he set up a studio in Lansdale, Pennsylvania.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  1 15/16" diameter by 2 7/16" high.  The base of the pedestal has a 1 3/4" diameter.  The bottom is ground concave.
Signature:  Signed on the underside of the rose with an early Whittemore signature cane.  The cane has a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches found on inspection.    

For extra pictures, click on the picture at the right and the following links: 

Large picture
Top view
Signature cane viewed through base
Another view
Profile
Base
$545 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Francis Whittemore Blue Crimp Rose Upright Pedestal Paperweight
5481 Magnum 1983 Orient & Flume Bruce Sillars Daffodils Paperweight.  dated 1983.  This wonderful paperweight features two delicate lampwork daffodils with green foliage on a dark green (almost black) ground.  It is signed on the base "Orient & Flume CZ11Jn1983 B. Sillars".  It also has a rare Orient & Flume signature cane "OF 83".  It comes with its original certificate.  A wonderful paperweight.

Orient & Flume was started in 1972 in Chico, California by Douglas Boyd and David Hopper.  It studio took its name from its initial location which was at the corner of Orient & Flume.  Their early weights adopted a style that has become known as the California style of  iridescent paperweights with surface torchworked art nouveau motifs on the outside surface of the weight.  Later work involved interior lampworked designs such as the floral design found encased here.  Every Orient & Flume piece has a registration number which usually includes a date code.  Douglas Boyd passed away in 2018.  David Hopper and his wife Shari retired to nearby Paradise California.  They survived the wildfire that destroyed most of Paradise in 2018.  Orient & Flume continues in Chico with new owners Bruce Sillars and Ronda Davis.  Bruce was one of the original Orient and Flume artists and Ronda has spent the last 30 years at the studio handling sales and other responsibilities.  They are joined by another early O&F artist Scott Beyers.

Bruce Sillars was the first employee hired by Orient & Flume and is still at O&F today.  Since 1973 Bruce has been responsible for many of Orient & Flume's most successful designs.  He grew up in the Los Angeles suburbs and worked in ceramics in High School, later becoming a technician in the ceramic studio at Moorpark College.  Sillars shifted from ceramics at Chico State University to metal and sculpting to glass blowing, earning a BA in Art with an emphasis in ceramics, glass, and sculpture from California State University, Chico.  In the beginning he created iridescent vases and paperweights that incorporated both geometric and naturalistic floral motifs. Over time the designs became more and more complex and sophisticated and by the early 80's his work began to move away from iridescent glass focusing on three-dimensional motifs and employing both "torch worked" and "lamp worked" design elements.

Very Large Size:  3 1/8" diameter by just under 2 5/8" high.  The bottom has been polished flat.
Signature:    Signed on the base "Orient & Flume CZ11Jn1983 B. Sillars".  It also has a rare Orient & Flume signature cane "OF 83".  It comes with its original certificate.
Condition:  Excellent condition.  No chips or cracks or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature on base
Signature cane
Certificate
Side view
Another view
Base
$175 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum 1983 Orient & Flume Bruce Sillars Daffodils Paperweight
4328 Rare Early Lundberg Studios Starry Night with Bat or Dragonfly Paperweight.  dated 1979.  Wonderful dark night theme with stars, waves and a bright colored bat or possibly a dragonfly with a red body and tail and orange eyes and wings flying over a body of swirling water.  The ground is an opalescent white.  It is signed on the base "Lundberg Studios 1979 LS92120".  An amazing paperweight.

Note:  Special thanks to another collector who pointed out that this doesn't look like a bat and is probably a dragonfly.  I agree that other Lundberg designs more closely resemble a bat.  With the long coiled tail it doesn't look like a dragonfly either, so I don't know what it is supposed to be.

Note2:  Intentional or not, you can see the outlines of some of the millefiori canes used to make the stars.  The surface is not completely smooth and shows traces of the surface work done to create the design.

In 1970 James Lundberg founded a small "backyard" studio Nouveau Glass in San Jose, California.  He was joined by his brother Steven Lundberg, Daniel Salazar, David Salazar, and several other glass artists.  The first paperweights were made in 1972.  They were known for their surface decorated designs and torchwork and later for their lampwork.  In 1973 the firm was renamed Lundberg Studios and moved to Davenport, California.  James died in an accident in 1991.  Steven left Lundberg Studios in 1997 and set up his own studio.  He died from ALS in 2008.   Although in later years, each paperweight produced at Lundberg Studios was signed and dated by the studio and signed by the artist, the earliest paperweights did not have the artists signature. 

Large Size:  Just under 2 3/4" diameter by just under 2 1/2" high.  The base is ground flat.   
Signature: Signed on the base "Lundberg Studios 1979 LS92120".  
Condition:  Very good condition with no cracks or chips.  There are scratches and wear on the base.  The surface is not completely smooth and shows traces of the surface work done to create the design.  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup view of the bat
Top View
Base with signature
Another view
Side view
$195 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Rare Early Lundberg Studios Starry Night with Bat or Dragonfly Paperweight
5208 Magnum Vandermark-Merritt 1976 Pulled Feather Tiffany Style Art Nouveau Hollow Paperweight.  dated 1976.  This very large hollow egg shaped paperweight features a surface decorated Tiffany style art nouveau feather pulled design with iridescent shades of gold and white.  The outer layer of glass is a translucent purple.  It is signed "Vandermark 1976".  The original name of the studio was Vandermark Glasshouse at Liberty Village, later changed to Vandermark-Merritt Glass Studios.  This paperweight has one large (1/4" by 3/8") tool mark or gouge and also some small surface defects such as popped surface bubbles, tool marks, and debris in the glass from when the paperweight was made.  It is priced accordingly.  The paperweight is hollow with a large opening at the base and may have been intended to be used with a small light inside or placed on a lighted stand.  A nice example of early work by this studio.

Note:  From the signature, we can't be sure which artist at Vandermark-Merritt made this paperweight.  The primary glass artists at the time were Jerry Vandermark, Doug Merritt and Stephen Smarr. 

Jerry Vandermark apprenticed with Carl Erickson in 1943 at Erickson Art Glass in Bremen, Ohio.  In 1959, Vandermark left Erickson to direct the Colonial Glasshouse at Jamestown, Virginia for the National Park Service.  In 1968, working with Thomas Merritt, he established the Vandermark Glasshouse at Liberty Village, Flemington, New Jersey.  Jerry later took Thomas Merritt's son Doug Merritt as an apprentice and they paired up to form the Vandermark-Merritt Glass Studios in 1972.  The studio evolved from producing replicas of 18th century glassware to more wide-ranging reproductions, and then added some original art glass designs.  It built its reputation with museum quality colonial reproductions, original art glass in the art nouveau and art deco traditions, crystal sculpture, contemporary designs and cameo creations.  Their work can be found in a number of major collections, including the Metropolitan Museum of Art, Smithsonian Institution, Toledo Museum, Corning Museum, and Wheaton Museum of American Glass.  Stephen Smarr was a master glass artist for Vandermark Merritt Glass Studios in Branchburg, NJ for 38 years until his death in 2010. 
Vandermark-Merritt Glass Studios closed in December 2015.

Very Large Size:  3 5/16" diameter x 4 11/16" high.  The paperweight is hollow with a large opening on the base.
Condition:  Good condition.  This paperweight has one large (1/4" by 3/8") tool mark or gouge and also some small surface defects such as popped surface bubbles, tool marks, and debris in the glass from when the paperweight was made. 
Signature:  Signed "Vandermark 1975" on the base.     

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature
Another view of base
Another view
Closeup
Top view
Worst of the defects (1/4" x 3/8" tool mark / gouge)
Another view of tool mark / gouge
$85 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Vandermark-Merritt 1976 Pulled Feather Tiffany Style Art Nouveau Hollow Paperweight
5159 Robert Eickholt 1993 Magnum Blue Iridescent Abstract Paperweight.   dated 1993.  This paperweight has an abstract design with a deceptive three dimensional design.  Unlike other works where the peaks and valleys are physical, in this paperweight the peaks and valleys are created using the veiling technique.  The dark blue inner core has a mostly smooth surface with only a few depressions to anchor the larger bubbles.  Additional texture and depth are the result of adding transparent and translucent layers to blanket the core.  Two large bubbles and an arc of smaller bubbles add to the magic.  The iridescent colors progress in layers in shades of light to dark blue.  It is signed "Eickholt 1993 EMAS" on the base.  An excellent large example of Eickholt's work.  

Note:  Please ignore the white areas, they are glare from the light. 

Robert Eickholt has been making glass paperweights since 1978 when he founded Eickholt Glass in Columbus, Ohio.  His designs often make use of precious metals such as gold and silver, and rare oxides such as cobalt and copper.  In later paperweights by Eickholt the design moved to the interior and veiling techniques began to appear.  He retired in 2013. 

Very Large Size:  5 9/16" tall by 3 3/16" diameter.  The base has been ground flat. 
Signature:  Signed "Eickholt 1993 EMAS" on the base. 
Condition:  Excellent condition.  No damage found on inspection.  Minor wear on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Another view
Signature
Base
$195 postage paid in the US. 

Click on the picture to see a larger image.

Click on the picture to see a larger image
Robert Eickholt 1993 Magnum Blue Iridescent Abstract Paperweight
5376 Francis Whittemore Limited Edition Mistletoe and White Berries with Two Bells Paperweight.  circa 1965 - 1975.  This paperweight features an innovative presentation of a bunch of mistletoe and white berries with two three-dimensional pink bells.  Each bell has a Whittemore black on yellow "W" signature cane as a clapper.  The design is placed on a translucent blue ground.  It is part of a limited edition of 100 paperweights and is engraved "54" on the base.  I don't have the original limited edition certificate.  A beautiful example.

Note:  There is a small rough area on the edge of the base.  I don't think this is damage, but rather an area left unpolished when the paperweight was made.  Today's cameras pick up the smallest defect.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed prior to working at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  2 3/8" diameter by 1 15/16" high. The bottom is ground concave but a small area was left unpolished (see picture)
Signature:  Signed in the design with two Whittemore signature canes used as clappers for the bells.  Each signature cane is a black "W" on a yellow background. 
Condition:  Excellent condition.  No chips, cracks, or scratches.  There is, however, a small rough area on the edge of the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Canes used as clappers
Base
Side view
Rough area on edge of base and engraved edition number
$375 postage paid in the US. 

Click on the picture to see a larger image.

Click on the picture to see a larger image
Francis Whittemore Limited Edition Mistletoe and White Berries with Two Bells Paperweight
600 Early Mark Matthews 1981 Experimental Spiral Paperweight.  dated 1981.  This is an early Mark Matthews Translucent Swirl Paperweight.  It features a precise gold swirl applied to a dark brown or dark red surface.  It was made in 1981 before Mark started his studio in 1985, so it may have been made during his student days.  I have labeled this as an experimental piece because there are many surface "flaws".  These flaws don't appear to be damage but rather the result of an unfinished or experimental process.  Marble collectors are familiar with this amazing artist but he made relatively few paperweights.  His focus is spheres and some of them sell for thousands of dollars.  This is a chance to own an early Mark Matthews work.

Mark Matthews started working in glass in 1974 while he was still an undergraduate at glorious Kent State University and continued his studies at Ohio University, receiving an MFA.  Since 1985 he as worked full time in glass as an independent glass artist with his studio located within the Sauder Village in Archbold, Ohio.  Matthews has become internationally recognized for his mastery of the glass sphere.  His stated goal is to explore the ways radically different designs and techniques can be used within a well-defined category such as spheres.  Mark Matthews work has been published in many books and is held in museums such as the Victoria & Albert Museum in London, England, the Corning Museum of Glass in New York, the Toledo Museum of Art in Ohio and the National Museum of American Art, Smithsonian Institution, Washington, D.C.   

Large Size:  Just under 3 1/16" diameter by 2 7/16" high.  The base is unfinished with a broken pontil scar. 
Signature: It is signed in script on the base "Mark Matthews 1981".
Condition:  Good condition.  There are many surface flaws and this appears to be an experimental piece or prototype.  No cracks or chips.  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Signature on base
Closeup
Top view
Side view
Another view
$395 postage paid in the US.  

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early Mark Matthews 1981 Experimental Spiral Paperweight
5344 Large David and Jon Trabucco Faceted Yellow Flower Paperweight with Buds.  circa 1985-2000.  This paperweight consists of a large five petal yellow flower with two yellow buds and variegated leaves and stems on a clear ground.  The flower has a wonderful complex center composed multiple tubes, filaments and pads.  It is signed with a stretched "T" signature cane on the underside of a leaf.  The paperweight is faceted with a large top facet and six side facets.  A fabulous paperweight. 

Twin brothers David and Jon Trabucco learned glass working under the direction of their father, the accomplished glass artist Victor Trabucco.  When they first started out, David made the floral setups and Jon did the encasement and cutting, but over time they both became involved in all aspects of paperweight production. They are now accomplished glass artists in their own right.  They have their own studio and also continue to work with Victor at the large Trabucco Glass Studio in Clarence, NY.

Victor Trabucco's original career was as a steelworker.  He began working with glass in 1974 after seeing a flameworker make a sculpture. He knew this was what he wanted to do for his life's work. Trabucco says that “Glass is the ultimate challenge; it has properties of no other material and offers the artist possibilities that are inspiring for the creative process. His work is often inspired by nature, capturing the beauty and motion of the subject and freezing a moment in time. His work is in the collection of many major museums.  Victor set up his first studio in the basement of his house and learned by experimentation.  He now works with his sons Jon and David in a large studio in Clarence, NY.

Large Size:   2 7/8” diameter by 2 3/16” high.  The base is ground slightly concave.  The paperweight is faceted with a large top facet and six side facets.
Signature:  Signed with a stretched "T" signature cane on the back of a leaf.  No script signature.  I verified with Victor Trabucco that this is the work of David and Jon and is not Victor's own work. 
Condition:  Excellent condition with no scratches, chips or cracks.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Signature cane on back of leaf
View from back
Base
$575 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large David and Jon Trabucco Faceted Yellow Flower Paperweight with Buds
2968 Richard Satava 1996 Flat Design Moon Jellyfish Paperweight.  dated 1996.  This moon jellyfish has an unusual flat shape with a veiled dome of amber and and blue colors.  Inside the dome are many colorful delicate long tentacles or tendrils reaching down to the base.  The colors react to the viewing angle.  Signed on the base "Satava 3748-96".  The artwork is truly amazing.   

Richard Satava was introduced to glassblowing in 1969 while at Oceana High School in Pacifica, California. He subsequently studied art and glassblowing at the College of San Mateo and California State University, Chico.  He also worked as a technician in the glass shop at CSU, Chico.  In 1977 he founded Satava Art Glass in Chico, CA.  His glass art has several themes, mostly focusing on inspiration from nature.  During the 1990s he started to focus more attention on ocean life and nautical themes based on the jellyfish in the Monterey Bay Aquarium.  He has several different series of jellyfish, depicting them in upright and side swimming positions and also as an unusual flat depiction.   

Large size:   6 1/4" high by 4 1/16" wide by approximately 1 15/16" deep.  The back and base are polished flat.  This paperweight weighs two pounds eleven ounces (43 ounces). 
Signature:  Signed on the base "Satava 3748-96". 
Condition:  There is one 5/8" scratch on the left edge of the back and some scratches on the base / bottom as shown in the pictures.  No other cracks, chips, or scratches found on inspection. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Closeup
Signature on base
Back side
Front viewed at angle
Back viewed at angle
Scratch on back edge
Horizontal view
$495 postage paid in the US.

Click on the picture to see a larger image.


Click on the picture to see a larger image
Richard Satava 1996 Flat Design Moon Jellyfish Paperweight

2619 Mayauel Ward Red Berries Plant Paperweight.  dated 2009.  This paperweight features a graceful plant with two leaves and a stalk of red berries.  It was a table favor at the Paperweight Collectors Association (PCA) Convention in 2009.  It is signed and dated "Mayauel Ward 2009" on the side near the base.  Absolutely wonderful.

Mayauel Ward is one of the premier lampwork artists working today.  He started with a glass class taught by Stuart Abelman at El Camino College.  After completing his studies, he went to work at Correia Glass where he worked with Ken Rosenfeld.  In 1979 he joined the Abelman Glass Studio where he started making lampwork designs in 1987.  Although he continued to work at Abelman Glass, he also built a studio in his home in Manhattan Beach, CA.  His work is uniquely his own although he gets inspiration from the fine lampwork designs of Paul Stankard and Chris Buzzini.  There are articles about Mayauel Ward in the 1997 and 2006 issues of the Annual Bulletin of the Paperweight Collectors Association.

Size:  2 11/16" diameter by 2 1/16" tall.  The base is polished flat. 
Signature:  Signed "Mayauel Ward 2009" on the side near the base. 
Condition:  Excellent condition with no cracks, chips, or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature
Side view
Base
$69 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Mayauel Ward Red Berries Plant Paperweight
4393 Large Pairpoint Robbie Mason Pink Footed Crimp Rose Paperweight.  circa 2000.  This is a rare footed lush pink crimp rose paperweight made by Robbie Mason at Pairpoint Glass in Sagamore, Massachusetts.  It has 13 petals with a 4-4-3-2 pattern and 4 outer green leaves. It has a styled foot.  This is an unusual rose style for Pairpoint which is better known for their assembled roses with eight leaves (or four large leaves and four narrow sepals).  The attribution is based on comparison to signed examples made by Robbie Mason.  A wonderful and rare example of the best of modern Pairpoint production. 

Note:  Crimp roses from Pairpoint are rare.  More typically, the rose is fashioned from a frit pickup or assembled.  The leaves are identical to the large leaves in other Pairpoint rose paperweights.  Several experts have reviewed this example and agree with the attribution. 

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The old New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1969.  Attempts were made to resume glassmaking in New Bedford for five years (1977-1982), but this was not successful.  Bryden retired in September 1988.  Since then, the Pairpoint Glass Company has changed owners several times. It continues to operate at that location today. 

Robert (Robbie) C. Mason (1935-2020) started his glass career in 1950 as an apprentice with Edinburgh Crystal, Scotland (part of the Thomas Webb and Sons).  With exception of three years in the Army (1960-1963), he continued to gain seniority and expertise as a glass maker.  In 1968, Thomas Bryden advertised in the Edinburgh Evening News for experienced glass workers emphasizing the need for hand made experience.  Robbie Mason decided to take a chance on a new employer and joined Pairpoint in 1969.  With his experience, he became a gaffer by 1971.  He stayed at Pairpoint as a master glassblower until he retired in 2005.  A number of well known glass artists apprenticed with him.  He retired in 2005 and passed away from complications of COVID-19 in April 2020.

Large Size:  Just under 2 7/8” diameter by just under 3” high.  The foot is 2 3/8" in diameter.  There is a remainder of a pontil mark in the center of the foot. 
Condition:  Excellent condition.  No damage found.
Signature:  Unsigned but I guarantee that this paperweight was made by Robbie Mason at Pairpoint Glass.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Top view
Base
$595 postage paid in the US. 

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Pairpoint Robbie Mason Pink Footed Crimp Rose Paperweight
4646 Magnum Victor Trabucco Pink Clematis Paperweight with Buds on Trellis.  dated 1983.  This Victor Trabucco paperweight consists of a large pink clematis with two buds and leaves and stems on a white trellis.  The clematis flower has five textured petals with dark bushy stamens in the center.  One bud is about to open.  There are ten veined leaves.  The design is set on a clear ground.  It is signed on the side near the base "Trabucco 1983".  There is also a "VT" signature cane on the underside of a leaf.  A beautiful paperweight. 

Victor Trabucco's original career was as a steelworker.  He began working with glass in 1974 after seeing a flameworker make a sculpture. He knew this was what he wanted to do for his life's work. Trabucco says that “Glass is the ultimate challenge; it has properties of no other material and offers the artist possibilities that are inspiring for the creative process. His work is often inspired by nature, capturing the beauty and motion of the subject and freezing a moment in time. His work is in the collection of many major museums.  Victor set up his first studio in the basement of his house and learned by experimentation.  He now works with his sons Jon and David in a large studio in Clarence, NY. 

Very Large Size:   Just over 3 1/8" diameter by 2 1/2" high.  The base is ground concave. 
Signature:  Signed "Trabucco 1983" on the side near the base. There is also a "VT" signature cane on the underside of a leaf. 
Condition:  Excellent condition with no scratches, chips or cracks found on inspection.  One tiny imperfection found on the side that appears to be a speck of dirt in the glass.  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Side view
Profile
Signature on side near base
Signature cane on underside of leaf - signature is also visible
Another side view
$675 postage paid in the US. 

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum Victor Trabucco Pink Clematis Paperweight with Buds on Trellis
3584 Early Chris Buzzini Bridgeton Studio Angelfish and Millefiori Flowers Paperweight.  dated 1978.  Contemporary surface decorated paperweight created by Chris Buzzini of Bridgeton Studio.  The paperweight has three red and white angelfish swimming among vines with four orange millefiori flowers and green leaves.  There is also a pulled feather design resembling waves.  Underneath there is a opaque white ground.  The entire design is encased in a clear glass layer adding depth.  Signed "BRIDGETON STUDIO '78 FS057 BUZZINI" on the base.  An early paperweight by one of the country's most talented glass artists.

Chris Buzzini studied at Shasta Junior College in Redding, CA and California State University at Chico, CA.  While at Shasta, Chris was exposed to glassblowing for the first time by Chris Sowder (1970).  Buzzini pursued glassblowing, eventually setting up his own “backyard” studio.  From 1972 to 1975, Chris worked at Orient & Flume Art Glass in Chico, CA.  Later from 1976 to 1978, he operated a glass studio Bridgeton Studio in New Jersey with the backing of a collector and a partner.  While at Bridgeton, Chris had two helpers (Allan Ziegler and Fritz Willie) who learned on the job.  Chris did the designs.  When Ziegler or Willie helped Chris make the paperweight, their name was often included in the signature.  Eventually Chris moved back to California and worked at Lundberg Studios and Correia Art Glass.  Since 1986 he has been an independent studio artist.  His designs often sell for several thousand dollars.

Large Size:  2 3/4" diameter by 2 9/16" high.  The base is ground flat.
Condition:  Excellent condition with no scratches, chips or cracks found on inspection.  There is a little roughness on the edge of the base, probably from when the base was ground flat.
Signature:  Signed "BRIDGETON STUDIO '78 FS057 BUZZINI" on the base.

For extra pictures, click on the picture at the right and the following links:

Large picture
Profile
Signature
Closeup
Back view
Side view
Base 
$185 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early Chris Buzzini Bridgeton Studio Angelfish and Millefiori Flowers Paperweight
4305 Drew Ebelhare Six Row Close Concentric Millefiori Paperweight with Stave Basket.  dated 1992.  This is an early close concentric millefiori paperweight with an outer stave basket.  There are five tightly packed inner rings of millefiori and then an alternating ring of turquoise and white canes which make up the stave basket.  It is signed in the center with Ebelhare's complex "E" signature cane.  In addition, it is signed on the base "Ebelhare 12-92 Houston".  This paperweight has an unusually large dome for Ebelhare's early paperweights.  An awesome paperweight with amazing detail.

Drew Ebelhare has been making glass paperweights since 1983, focusing on millefiori paperweights, especially miniature designs.  Drew graduated from Florida State University in 1977 with a Bachelors Degree in technical theater and scene design.  After graduating and working at the Alley Theater in Houston, he made a career change becoming one of the founding members of The Houston Glass Art Society.  In 1981, Drew set up his first hot glass shop in Houston.  He now works out a new studio in Cañon City, Colorado.  His millefiori canes have evolved so he now produces his own unique style of floral millefiori canes, including Clichy style roses, camomiles, pansies, primroses, sunflowers and others.  Paul Dunlop calls Drew the preeminent millefiori paperweight artist in the United States.  Starting in 2009,  Drew Ebelhare and Sue Fox collaborated to make wonderful paperweights featuring Sue's delicate lampwork surrounded by Drew's distinctive style of floral millefiori.  Sue Fox passed away early in 2020.

Size: Unusually large for Drew Ebelhare's early paperweights, this paperweight is has an extra large dome and is 2 9/16" diameter by 2 3/16" high.  The base is ground flat. 
Signature:  Signed in the center with Ebelhare's complex "E" signature cane.  In addition, it is signed on the base "Ebelhare 12-92 Houston".  
Condition:  Excellent condition with no scratches, cracks, or chips.  There are some striations in the glass.  

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Top view
Profile
Signature cane
Signature on base
Base
SOLD.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Drew Ebelhare Six Row Close Concentric Millefiori Paperweight with Stave Basket
5265 Francis Whittemore Miniature Yellow Pears with Leaves and Seed Pod Paperweight.  circa 1971 - 1980.  This paperweight features two yellow pears along with three green leaves, and a seed pod.  It is signed in the design with a fancy Whittemore "W" compound signature cane.  The signature cane is a white "W" on a blue background surrounded by a ring of white stars.  The design is placed on a translucent green ground.  Whittemore revisited this theme several times during his career as a paperweight maker.  A beautiful example.

Note:  This was a difficult paperweight to photograph.  The highly reflective surface even picked up a reflection of my hand and my camera.  If you need more pictures please let me know.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  The signature cane used on this paperweight was one he developed during the period that he was consulting at Baccarat.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Miniature size:  Just under 2 1/16" diameter by 1 11/16" high. The bottom is ground concave.
Signature:  Signed in the design with a Whittemore "W" complex signature cane.  The one used in this paperweight has a white W on a blue background surrounded by a ring of white stars.  It helps to date the paperweight to after 1971 when he started working with Baccarat. 
Condition:  Excellent condition.  No chips, cracks, or scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane
Base
Side view
Another view
$375 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Francis Whittemore Miniature Yellow Pears with Leaves and Seed Pod Paperweight
3436 Robert Townsend Translucent Veiled Yellow Abstract Faceted Paperweight.  circa 1980s or later.  This distinctive paperweight with three top facets has an abstract multi-layered veiled design of transparent pale yellow and clear colored glass.  The veiling technique allows the glass to react to light and create a fluid, airy effect.  It is signed on the base "Robert Townsend", but it is possible that I am reading the signature incorrectly.  I show the signature as it appears and then darkened to make it easier to read.  An interesting paperweight that shows considerable skill.

This paperweight has a translucent design was difficult to photograph.  It has "veil" effect created by using a metallic powder in the glass.  The veiling technique was first developed by Dominic Labino in the early 1970s.  Later it was used by Harvey Littleton (1980), Ed Nesteruk (1982), Michael O'Keefe (1984), Robert Eickholt, Gilbert C. Johnson, and others. 

The paperweight is signed Robert Townsend, but I have been unable to learn anything about the artist.  It is professionally executed and finished.  I purchased the paperweight as part of a Massachusetts collection of quality paperweights.

Size:  Just over 2 7/8" diameter by just over 2 5/8" high.  The base is polished flat. 
Signature: Signed "Robert Townsend" on the base.  The signature was difficult to photograph, so I show the signature as it appears and then darkened to make it easier to read.   
Condition:  Excellent condition with no cracks or chips.  Some wear on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Profile
Top view
Signature and a darkened version
Base
$69 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Robert Townsend Translucent Veiled Yellow Abstract Faceted Paperweight
4774 Early 1975 David Salazar Lundberg Studios Iridescent Surface Decorated Hearts and Vines Design Paperweight.  dated 1975.  This is a brilliant surface decorated hearts and vines design paperweight by David Salazar at Lundberg Studios.  It has nine outlined yellow hearts and a dense thicket of dark brown vines.  The design is placed on  a iridescent silvery blue background.  Underneath is a blue and white core.  Signed and dated on the base "Lundberg Studios 1975 DS".  It is a very early paperweight by David Salazar.  A wonderful composition.

Special Thanks:  Special thanks to an expert on Lundberg who corrected my original attribution to Daniel Salazar.  This paperweight was made by David Salazar.

David P. Salazar was born in Del Rio, Texas.  His fascination with glass started in college, when he began making scientific glassware.  In 1972, he started working as an apprentice at Lundberg Studios, and quickly moved into the more creative aspects of designing and torchwork.  After 10 years in the studio environment, he decided to strike out on his own in order to develop new designs and techniques.  Initially he rented space from Zephyr Studios in Santa Cruz, California, staying there from 1982 to 1985.  When Zephyr went out of business, Salazar took over the building and started his own studio.

In 1970 James Lundberg founded a small "backyard" studio Nouveau Glass in San Jose, California.  He was joined by his brother Steven Lundberg, Daniel Salazar, David Salazar, and several other glass artists.  The first paperweights were made in 1972.  They were known for their surface decorated designs and torchwork and later for their lampwork.  In 1973 the firm was renamed Lundberg Studios and moved to Davenport, California.  James died in an accident in 1991.  Although in later years, each paperweight produced at Lundberg Studios was signed and dated by the studio and signed by the artist, the earliest paperweights did not have the artists signature.

Large size:   3 1/8" diameter by 2 5/16" high.  The base is ground flat. 
Signature:  Signed and dated on the base "Lundberg Studios 1975 DS".
Condition:  Excellent condition.  No cracks, chips or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Side view
Signature on base
Another closeup
Base
SOLD.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early 1975 David Salazar Lundberg Studios Iridescent Surface Decorated Hearts and Vines Design Paperweight
5357 Pairpoint Twists and Frit Scramble or End of Day Paperweight.  Circa 1970-1990.  This is a end of day paperweight loosely filled with Pairpoint twist canes and multi-colored frit.  This paperweight came from a collection that contained other Pairpoint items.  A wonderful curiosity from the Bryden period of Pairpoint production.

Pairpoint Glass has a long history extending back to its earliest origins with Mount Washington Glass in 1837.  Owners and locations changed a number of times and the name Pairpoint was first used in the 1890s.  The original Pairpoint companies were located in New Bedford, Massachusetts.  In 1938, it was reorganized as Gunderson Glass Works by owner Robert Gunderson and later renamed the Gunderson - Pairpoint Glass Works in 1952.  The name was acquired by Robert Bryden and the company moved briefly to East Wareham, MA in 1957 where it operated as the Pairpoint Glass Company.  They leased production facilities in Spain.  The last New Bedford factory burned down in 1965.  In its latest iteration, Robert Bryden moved Pairpoint to Sagamore, Massachusetts in 1970.  It continues to operate at that location today (2021) although under new owners. 

Size:  2 13/16" diameter by 2 1/4” high.  The base is ground flat.
Condition:  Very good condition.  There may be some light scratches but I couldn't find any chips or cracks.  Typical of many scrambles, there are striations in the glass.  Also there is a dimple on the top.  
Signature:  Unsigned but I guarantee this paperweight to be by Pairpoint Glass. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Top view
Side view
Dimple on top
Base
$39 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Pairpoint Twists and Frit Scramble or End of Day Paperweight
3573 Early 1975 David Salazar Lundberg Studios Surface Decorated Floral Design Paperweight.  dated 1975.  This brilliant surface decorated paperweight by David Salazar at Lundberg Studios features a large eight petal yellow flower on top of a shiny foil background.  The sides are decorated with a wave design made up a dazzling arrangement of blue, green, gold, and silver layers over an opaque white ground.  Signed and dated on the base "LUNDBERG STUDIOS DS 310 1975".  It is a very early paperweight by David Salazar.  A wonderful composition.

Special Thanks:  Special thanks to an expert on Lundberg who corrected my original attribution to Daniel Salazar.  This paperweight was made by David Salazar.

Note:  The signature on the white base is hard to read, so I colored it with a green washable marker to enhance the writing.  The green marker ink has since been removed.

Note:  Please ignore the white areas in the picture caused by the light.

David P. Salazar was born in Del Rio, Texas.  His fascination with glass started in college, when he began making scientific glassware.  In 1972, he started working as an apprentice at Lundberg Studios, and quickly moved into the more creative aspects of designing and torchwork.  After 10 years in the studio environment, he decided to strike out on his own in order to develop new designs and techniques.  Initially he rented space from Zephyr Studios in Santa Cruz, California, staying there from 1982 to 1985.  When Zephyr went out of business, Salazar took over the building and started his own studio.

In 1970 James Lundberg founded a small "backyard" studio Nouveau Glass in San Jose, California.  He was joined by his brother Steven Lundberg, Daniel Salazar, David Salazar, and several other glass artists.  The first paperweights were made in 1972.  They were known for their surface decorated designs and torchwork and later for their lampwork.  In 1973 the firm was renamed Lundberg Studios and moved to Davenport, California.  James died in an accident in 1991.  Although in later years, each paperweight produced at Lundberg Studios was signed and dated by the studio and signed by the artist, the earliest paperweights did not have the artists signature.

Large size:   2 13/16" diameter by just over 2" high.  The base is ground flat.
Signature: Signed and dated on the base "LUNDBERG STUDIOS DS 310 1975".  The signature is hard to see on the white base so I colored it with a green washable marker to enhance the writing.  The green marker ink has since been removed. 
Condition:  Excellent condition.  No cracks, chips or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Top view
Signature on base
Signature - enhanced (now removed)
Base
SOLD

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early 1975 David Salazar Lundberg Studios Surface Decorated Floral Design Paperweight
3899 Robert Grablow Pedestal Crimp Red Rose Paperweight with Frosted Exterior.  circa 1990This wonderful variegated red crimp rose paperweight has fifteen petals in a 4+4+4+3 pattern plus four sepals.  The rose is placed floating on a clear ground in a pedestal base.  The exterior is frosted with one angled.  Although Grablow normally signed his paperweights, I do not see a signature on this one.  There are some striations or sugaring in the glass.  A wonderful example from this talented Millville, NJ artist.   

Crimp roses represent the ultimate challenge for paperweight makers.  You can read about the crimps and their use in making crimp roses in the book American Glass Paperweights and Their Makers by Jean Melvin (1970). 

Robert Grablow was a Millville, New Jersey artist best known for full size crimp roses made from the furnace tank.  He started making crimp roses in 1986 or so when he started as a volunteer at Wheaton Village and added a signature cane around 1991.  Although best known for his full size crimp roses, he also made lampworked miniature roses starting about 1967 time frame.  These early miniature roses were sold through the Arthur Gorham Paperweight Shoppe at Wheaton Village.

Size :  2 3/4" diameter by just over 3" high.  The exterior is frosted with one angled polished window to view the rose.
Signature : Unsigned, but I guarantee that this paperweight was made by Robert Grablow in Millville, NJ. 
Condition :  Very good to excellent condition.  There are a couple of tiny scuff marks on the frosted finish.  There are also some striations or sugaring in the glass (from when it was made).  Some wear on the base.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view
Closeup
Back
Base
Scuff mark on side
$265 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Robert Grablow Pedestal Crimp Red Rose Paperweight with Frosted Exterior
4276 Stuart Abelman Iridescent Floral Paperweight.  dated 1997.  This amazing paperweight has an iridescent surface decorated with a large blue and white five petal flower and a stylized leafy stem.  The ground is translucent.  What makes this paperweight especially magical is the way the glass changes color as it reflects light.  The frosted ground also changes to a clear ground as it blends towards the base.  It is signed on the base "Abelman 1997 GFL29".  There is a tool mark on the side resembling stitches, but this is inside the glass and is not damage.  It is absolutely spectacular.

Note on colors:  This was a difficult paperweight to photograph because of the strong iridescence.  The color of the glass would gradually change as the angle of illumination or the angle of view changed.  

Stuart Abelman studied glass at Carnegie Mellon University and in the Master of Fine Arts program at UCLA (California).  He taught a developed a flat glass program for El Camino College and in 1977 opened his Abelman Glass Studio in Van Nuys, CA.  He worked with a number of other glass artists in developing his style.

Size:  2 9/16" diameter by 2 3/8" high.  The base is ground flat. 
Signature:    Signed "Abelman 1997 GFL29" on the base.
Condition:  Excellent condition with no cracks, chips, or scratches found on inspection.  There is a tool mark on the side resembling stitches, but this is inside the glass and is a flaw in the making and not damage. 

For extra pictures, click on the picture at the right and the following links: 

Large picture
Side view showing stylized leafy stem
Top view
Signature
Tool mark on side - not damage
Another view
Back side (also showing leafy stem)
Base
$125 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Stuart Abelman Iridescent Floral Paperweight
5380 Early Debbie Tarsitano Red Fuchsia Flower with Bud Paperweight.  circa 1978-1980.  This paperweight features a lush three dimensional purplish red fuchsia flower plus a bud, ten striped leaves, and stems.  The design is placed on a clear ground.  The paperweight is signed at the edge of the composition with the conjoined "DT" Tarsitano signature cane used by both Delmo and Debbie Tarsitano from about 1978 to 1980.  A fantastic paperweight.

Debbie Tarsitano has been making wonderful paperweights since 1972, when she and her father Delmo Tarsitano set up a glass studio to explore a shared obsession with glass.  While developing her glass artwork, Debbie earned a Bachelor of Fine Arts and an Associate Degree in Journalism from Hofstra University, Long Island, NY.  Her work has evolved from simple floral paperweights in the 1970s to contemporary sculptural expressions.  The results are powerful, fresh images encased in glass.  Her florals are outstanding.  A formally trained painter, her passions lie in creating work that goes beyond traditional glass, building a bridge to the greater world of art.  She has collaborated with many internationally known glass artists, including Roland (Max) Erlacher, Ed Poore, Dino Rosin, Jiri Harcuba, and others.

Debbie and Delmo Tarsitano shared the same signature cane, feeling that their work was individual and distinctive and collectors would have no difficulty distinguishing between their art.  Although they did not date their work, the signature cane changed over time and provided approximate dates for the works.  The cane in this paperweight was used from about 1978 until 1980.  See Andrew Dohan's Dictionary of Paperweight Signature Canes for more information on the Tarsitano signature canes. 

Size:  Just over 2 5/8" diameter by just over 1 15/16" high.  The base is ground concave. 
Signature:  Signed at edge of the composition with the Delmo and Debbie Tarsitano conjoined "DT" signature cane.  This cane was use from about 1978 to 1980.  I was unable to get a good clear picture of the signature cane. 
Condition:  Excellent condition.  No cracks, chips or scratches found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Another view
Closeup
Another closeup
Signature cane
Another view of signature cane
Side view
Base
One more closeup
View through the base
$495 postage paid in the US.    ON HOLD.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Early Debbie Tarsitano Red Fuchsia Flower with Bud Paperweight
5183 Josh Simpson Miniature Gravitron Planet Marble with Stand.  This a miniature (just under 2" diameter) Gravitron planet marble made by Josh Simpson.  Gravitrons evoke deep space phenomena such as black holes and the warping of space-time.  They represent planets that wander too near a black hole, where they are twisted and squashed by unfathomably intense gravity.  Josh captures the instant when these unfortunate planets have been almost consumed and all that remains is a memory and a puff of X-ray light.  Although clear glass, the controlled bubbles sometimes have an iridescent color.  Some of the bubbles have a speck of amber color, which is exaggerated by my lights.  An acrylic 2" tall by 1 1/2" by 1 5/16" dimple stand is included.  This example is unsigned.  

Josh Simpson has been making magical glass objects including paperweights for over 40 years.  He has long had a fascination with space exploration and is married to Astronaut Cady Coleman.  He is a graduate of Hamilton College and has his own glass studio in Shelburne Falls, Massachusetts.  He focuses on creating objects with a range of color, form, contrast, iridescence, tessellating patterns and complexity. 

There is a great book Josh Simpson: Glass Artist by Andrew Chaikin.  I recommend it highly.

Miniature Size:  1 15/16" diameter glass sphere.  The acrylic stand is 2" tall by 1 1/2" by 1 5/16".
Signature:   This example is unsigned, but I guarantee that it is a genuine Josh Simpson marble.
Condition:  The marble is in excellent condition with no chips, cracks, or scratches found on inspection.  A few of the bubbles are larger and have an amber cast.  It may be a second.  The acrylic stand is in very good condition with a few tiny scratches.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Dimple stand
Closeup
Another closeup
Another view
And another view
Still another closeup
And one more closeup
$85 postage paid in the US. 

Click on the picture to see a larger image.

Click on the picture to see a larger image
Josh Simpson Miniature Gravitron Planet Marble with Stand
5349 Francis Whittemore Pink Cyclamen Flower with Leaves and Bud Paperweight.  circa 1969.  This paperweight features a pink cyclamen flower and bud with two green leaves and stems.  Signed on the back of a leaf with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  The design is placed on a translucent green ground.  There is an edition number "53" engraved on the base, but I was unable to determine the edition size.  A beautiful example.

This paperweight is shown in the Leo Kaplan Ltd. catalog on the 9/85 insert.  M210 is described as a "Pink cyclamen on translucent green ground $400".

Note:  The highly reflective surface and high dome made this a difficult paperweight to photograph.  There are extra shadows and objects in the pictures that are not in the paperweight.

Francis Dyer Whittemore, Jr. is considered one of the pioneers of the modern paperweight renaissance.  He started working in glass in 1938, but did not start making paperweights until 1962.   His studio was in Lansdale, Pennsylvania.  Like many other early glass artists, Francis started his career as a scientific glass blower and then later taught glass as an instructor.  For five years, he spent one month a year consulting at Baccarat to help them refine their lampwork paperweight art.  Some sources have this consulting work from 1971 to 1976.  Other sources have it starting later.  Most of his paperweights are miniature to medium in size.  You can read about Francis Whittemore in the book American Glass Paperweights and Their Makers by Jean Melvin (1970).

Size:  Just under 2 7/16" diameter by 2" high. The bottom is ground flat.  The edition number "53" is engraved on the base. 
Signature:  Signed on the back of a leaf with an early Whittemore signature cane.  The cane has a black "W" on a yellow background.  This signature cane was used until about 1970.   
Condition:  Very good condition.  I found two tiny faint circular impact marks on the side (see picture).  Each was less than 1/16" across.  No chips, cracks, or scratches were found on inspection.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Profile
Signature Cane on back of leaf
Base with engraved "53"
Side view
Another view of base showing signature cane
Faint tiny impact marks - each < 1/16"
View through the base
$295 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Francis Whittemore Pink Cyclamen Flower with Leaves and Bud Paperweight
2804 Magnum 1985 Orient & Flume Bruce Sillars Grapes Paperweight.  dated 1985.  This wonderful paperweight features wonderful three dimensional multi-level design with a bunch of purple grapes and three large dark green leaves and stems over a clear ground.  The It is signed on the base "Orient & Flume CZ2A1985 B. Sillars".  It also has an Orient & Flume paper label "ORIENT & FLUME CHICO, CALIF." on the base.  A wonderful paperweight.

Orient & Flume was started in 1972 in Chico, California by Douglas Boyd and David Hopper.  It studio took its name from its initial location which was at the corner of Orient & Flume.  Their early weights adopted a style that has become known as the California style of  iridescent paperweights with surface torchworked art nouveau motifs on the outside surface of the weight.  Later work involved interior lampworked designs such as the floral design found encased here.  Every Orient & Flume piece has a registration number which usually includes a date code.  Douglas Boyd passed away in 2018.  David Hopper and his wife Shari retired to nearby Paradise California.  They survived the wildfire that destroyed most of Paradise in 2018.  Orient & Flume continues in Chico with new owners Bruce Sillars and Ronda Davis.  Bruce was one of the original Orient and Flume artists and Ronda has spent the last 30 years at the studio handling sales and other responsibilities.  They are joined by another early O&F artist Scott Beyers.

Bruce Sillars was the first employee hired by Orient & Flume and is still at O&F today.  Since 1973 Bruce has been responsible for many of Orient & Flume's most successful designs.  He grew up in the Los Angeles suburbs and worked in ceramics in High School, later becoming a technician in the ceramic studio at Moorpark College.  Sillars shifted from ceramics at Chico State University to metal and sculpting to glass blowing, earning a BA in Art with an emphasis in ceramics, glass, and sculpture from California State University, Chico.  In the beginning he created iridescent vases and paperweights that incorporated both geometric and naturalistic floral motifs. Over time the designs became more and more complex and sophisticated and by the early 80's his work began to move away from iridescent glass focusing on three-dimensional motifs and employing both "torch worked" and "lamp worked" design elements.

Very Large Size:  3 3/16" diameter by 2 11/16" high.  The bottom has been polished flat.
Signature:    Signed on the base "Orient & Flume CZ2A1985 B. Sillars".  It also has an Orient & Flume paper label "ORIENT & FLUME CHICO, CALIF." on the base.
Condition:  Excellent condition.  No chips or cracks or scratches found on inspection.  The label is slightly worn.

For extra pictures, click on the picture at the right and the following links: 

Large picture
Closeup
Signature on base
Label
Profile
Side view
Another view
Base
$175 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Magnum 1985 Orient & Flume Bruce Sillars Grapes Paperweight
3224 Large Cape Cod Glass Works Bill Burchfield 1997 Crown Paperweight.   Dated with Rose Signature Cane Used in 1997.  Colorful large crown paperweight with Bill Burchfield's rose "WBC" signature rose cane on the top.  The design has twenty twist canes alternating between red and white twist canes and white latticinio canes.  There is a tinge of blue in some of the white canes.  Bill Burchfield changed his signature cane each year and this paperweight is signed on top with the rose signature cane used in 1997.  A rare chance to acquire a fantastic crown paperweight from this outstanding artist. 

Crown weights are considered by some to be the most exciting of all millefiori designs.  They are extremely difficult to make.  

The Cape Cod Glass Works was operated by William Clark Burchfield in Sagamore, Massachusetts from 1976 to 2000.  It then continued briefly in Crossville, Tennessee until 2001.  Bill Burchfield died in 2012.  Bill's son Mark was also at the glass works until 1998.  Bill started making paperweights at Pairpoint Glass in 1970.

Large Size:   Just under 3” diameter by 2 3/8” high.  The base is ground concave.   
Condition:  Excellent condition.  No cracks, chips, or scratches found on inspection. 
Signature:  This paperweight is signed on top with the rose signature cane used in 1997.    

For extra pictures, click on the picture at the right and the following links: 

Large picture
1997 Rose signature cane on top
Top view
Side view
Closeup
Base
$295 postage paid in the US.

Click on the picture to see a larger image.

Click on the picture to see a larger image
Large Cape Cod Glass Works Bill Burchfield 1997 Crown Paperweight



Back to Allan's Paperweights (www.paperweights.com)

Revised 11/25/2021     IE9